That family now includes Sophia (twins Mila and Lara Jackson), the baby girl Giselle and Robert had together, and Morgan (Gabriella Baldacchino), Robert’s teenage daughter from his first marriage and Giselle’s stepdaughter. Sadly, Disenchanted miscalculates its place in the Disney musical Venn diagram where soaring and satirical overlap, despite featuring songs composed once again by Alan Menken and Stephen Schwartz.ĭisenchanted takes place ten years after the original and begins with the now-married Giselle and Robert (Dempsey) deciding to move their family from New York City to the suburbs. Even those who find Mouse House musicals too treacly and sentimental were won over by its more subversive moments, like “Happy Little Working Song,” a Snow White/Cinderella satire in which Giselle cleans a Manhattan apartment with help from the creatures of NYC: Rats, pigeons, and a typhoon of buzzing flies. The original Enchanted, released in 2007, was a clever send-up of Disney-princess fare that doubled as a charming fairy tale in its own right. This isn’t an organic continuation of Giselle’s story so much as an uninspired knockoff of the original, yet another attempt to use existing IP to attract viewers and subscribers besotted by the prospect of watching something familiar on a Friday night. Then you watch Disenchanted, the sequel in question that is now streaming on Disney+, and you understand completely.ĭespite the presence of original stars Amy Adams, reprising her role as Giselle, the former princess-to-be of Andalasia, and Patrick Dempsey, her princely New York City husband, this follow-up is devoid of real magic and, in the years before streaming existed, absolutely would have been one of those Disney sequels that went straight to video. At first, it might seem strange that the sequel to Enchanted, one of the more charming, critically embraced live-action Disney films of the modern era, isn’t getting a theatrical release.
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